Editorial Photography Assignment of Alt-Right artist Sabo shot for The Weekly Standard

I was asked by the Weekly Standard to shoot an editorial photography assignment of the Right-Wing artist Sabo (William Sabatini)

They had a tight deadline and I had to deliver the images within 5 hours. Ugh..... Of course, I brought my lighting gear but I was doubtful I could do much lighting production given the total time that I had.

Sabo is known as an "alt-right" artist but his views align more with "white-supremacist", so it gave me pause before accepting the assignment. But I thought," why not?". 

I found Sabo interesting, open, and helpful during my shoot. We seemed to get along very well and he was different than most of my corporate photography subjects in that he seemed to be an open book and interested in me. Additionally, rather than pull out my lights, he offered me the use of his LED lights which came in handy. The whole experience was surreal, in a way, because his Instagram brand is as a racist and he objects vociferously to anything that does not align with his views on Instagram. You can say that I was conflicted.

Nevertheless, he was sociable, warm, and completely open about his Alt-Right views. He even believed that the homeless should be housed. 

The editorial photography assignment was fascinating because it was a window into a man whose "tribe" I only hear about in the news. I even had the impression that he was open to discussion; something that I had little time for, given my deadline. The photography assignment was too short and I wished I had more time to talk but the editor loved the images and, in the end, that is what I came to do. I love my magazine photo assignments because they are often so interesting and I never know what to expect or even if I can pull off the assignment in a way that the photo editor will appreciate.

I have been shooting editorial photographs now for almost 30 years and I am seldom disappointed in the work and my subjects. I love the challenge of creating something from nothing on a deadline and meeting someone interesting. In that way, my shoot with Sabo did not disappoint.

Edward Carreon

In the beginning, he aspired to smuggle gems from Sri Lanka and live on the island of Fatu Hiva where Gauguin painted. Instead, he moved to Micronesia and got lost for two years. Fell in lust. Slid down a coconut tree; very painful. Saw a blue moon. Was attacked by sharks but got lucky. Built houses, speared fish, Fell in love. Went home empty-handed.

Went to school, got bored then graduated. Lived in Mexico, fell in love, and got drunk with a cartel hitman. Lived in an Indian village, broke two ribs, lost all his money on a cock fight, got lost in a cave but now is found. Published widely acclaimed work. Made Mama proud. Worked for newspapers. Worked for The New York Times. Walked in the desert, got a heat stroke, thought he saw God or Jerry Garcia. Recovered. Worked for Life, Fortune, Newsweek, and National Geographic.

Went to Cuba and smoked cigars. Fell in Love. Married in Havana. She saw him coming a mile away. Fortunate tragedy. Recovered. Worked for the New York Times, Discovery Channel, Amgen, Target, etc.

Worked in Latin America. Fell in Love with the wrong woman then Fell in love with the right woman Got Married, wife, kid, beagle, and garden. The whole nine yards. The beagle ate the house. Likes tomatoes, green tea, impossible hikes, and Ayahuasca ceremonies. Most pressing question: "Who are you ?"

https://carreonphotography.com
Previous
Previous

Microvention multi genre healthcare photography project

Next
Next

Lufthansa Assignment